For this face I made a monoprint and scanned it. I generated the colour by layering photographs and painting until I came up with a pleasing abstraction. Then I mixed the scan with the colour. It is all part of my quest to infuse my images with more energy and life.
One cold winter's day I was photographing beat up old ships in a Hamilton, Ontario harbour. I was fascinated with the textures of the peeling painting and the strong lines of the ladder. After a dose of Photoshop, the image felt more like a painting.
This in one of the first of what I call my 'smear' experiments. I drew the violin very quickly with printer's ink on glass. Then I made a monoprint. I scanned that into Photoshop and added the colour.
This one started as a pastel and then changed dramatically in Photoshop. I like how the mood changes as the visual elements change. I keep digging with visual picks and shovels until a piece of truth emerges. The trick, of course, is knowing when to stop.
I am amazed by how much time I spend looking at highways, cars, signs, maps and the dashboard when doing a roadtrip. Where does all that seeing go? I used the quilt pattern, Log Cabin, to organize the images.