I'm very fond of patterns - in fact I think knitting and digital imaging have a lot in common. Take a look at a knitting pattern - what do all those little squares remind you of? Pixels! Here a simple cross pattern, some colour changes & the strong shadows define the image.
When I first started creating images, I was surprised at how many artists chose pears as their subject. I finally decided it was for 2 reasons: 1] human models aren't as readily available as fruit and 2] pears are visually very sensual.
I give my design students at Humber College a warm up exercise every week called The Olive Pitter. The structure is 20 minutes, 5 images and a subject. I do it too, to keep myself fresh. For this one the subject was Landscape and the 5 objects are shown at the bottom.
Pentacostal Church on the Cherokee reservation just outside Great Smoky Mountain National Park, North Carolina. The starkness of the building was what stood out for me; the treatment I gave it emphasized that quality.
Another in my Hand Dance series. I was showing my design students the pleasures of making radial compositions and the next day this piece got itself born.
I tend to think of highrise apartment buildings as ugly. One sunny winter day, I suddenly saw beauty in those repeating balcony and window shapes and majesty in the buildings' sizes.
This image of a face in pain began as a monoprint. The colour was added by layering photographs in the computer. The torn quality of the black seemed to echo the angst caught in the expression.
For this face I made a monoprint and scanned it. I generated the colour by layering photographs and painting until I came up with a pleasing abstraction. Then I mixed the scan with the colour. It is all part of my quest to infuse my images with more energy and life.
One cold winter's day I was photographing beat up old ships in a Hamilton, Ontario harbour. I was fascinated with the textures of the peeling painting and the strong lines of the ladder. After a dose of Photoshop, the image felt more like a painting.
This in one of the first of what I call my 'smear' experiments. I drew the violin very quickly with printer's ink on glass. Then I made a monoprint. I scanned that into Photoshop and added the colour.
This one started as a pastel and then changed dramatically in Photoshop. I like how the mood changes as the visual elements change. I keep digging with visual picks and shovels until a piece of truth emerges. The trick, of course, is knowing when to stop.
I am amazed by how much time I spend looking at highways, cars, signs, maps and the dashboard when doing a roadtrip. Where does all that seeing go? I used the quilt pattern, Log Cabin, to organize the images.